A research facility on Mars sends out a distress signal, and the Rapid Response team is scrambled to deal with the threat – whatever it is. Sensitive data must be recovered, the cause of the problem must be found, and nothing dangerous can be allowed to breach the quarantine and return to Earth.
The team of hardened marines have to deal with mutated monsters, ruthless scientists, and their own interpersonal dynamics in order to survive. It’s not easy, and they have to shoot things a lot.
Continue reading “Doom (2005) – Review”
After criminals kill his family and the justice system fails him, an inventor (Gerard Butler) starts taking the law into his own hands. Though he’s quickly imprisoned, the killings don’t stop. The prosecutor (Jamie Foxx) who let him down when his family was murdered is the only person who might be able to stop the slaughter. Continue reading “Law-Abiding Citizen (2009) – Review”
Everyone knows what a mobster looks like. We know how they talk, how they dress, how they relate to each other. We know about their secret rituals, and about the iron rules they live by.
We know about these because of the media. The Godfather, The Sopranos, Guys and Dolls. Arguably, the media created the Mafia aesthetic as much as it portrayed it. I read once, though I can sadly no longer find a source, that the FBI’s job got much easier after The Godfather was released, because all of the gangsters started dressing like the characters.
Goodfellas is a cinematic classic, and it’s definitely one of the most important films for cementing the cultural idea of how the mob looks and acts. I’ve only just got around to watching it. Continue reading “Goodfellas (1990) – Review”
One of them is a meticulous, by-the-numbers bodyguard with only one failure on his record. The other is a happy-go-lucky, internationally-wanted assassin. Can they learn to work together? Can they deal with corrupt cops, genocidal tyrants, and their own tangled love lives? Continue reading “The Hitman’s Bodyguard (2017) – Review”
Octopuses (or octopodes, but never octopi) are fascinating and beautiful creatures, perhaps the most intelligent and most alien of all the other species on the planet. They taste with their skin and think with their arms. How could you not be entralled by them?
The Soul of an Octopus is Sy Montgomery’s account of her own fascination with the creatures. It’s also an exploration of how intelligent an octopus actually is, and the extent to which we can form meaningful relationships with them. Continue reading “The Soul of an Octopus – Sy Montgomery (Review)”
Do you remember the first time you watched Jaws, and you were really hyped up, but it was kind of disappointing? And you complained about the corny acting and the special effects and someone said, hey, you’ve missed the point?
And then you watched it again, and this time you got it, because you knew the secret: Jaws is not a film about sharks. Jaws is a film about fear.
That magical moment has never happened for me. I think Jaws is a terrible, boring film, and I always will. But I mention it now because The Death of Stalin is not about Stalin. Or sharks.
It’s about fear. Continue reading “The Death of Stalin (Review)”
“Top Ten Tuesday” is a feature started by “The Broke and the Bookish”, though now hosted by some artsy reader girl in which people list their top ten books that match some given criterion. It changes every week, and happens on a Tuesday. Lots (a frankly ridiculous number) of bloggers take part.
This week, the theme is “books that take place in another country”. The vast majority of books I read take place in other countries, and often other worlds, so that seemed a little too easy. Instead, I’m listing fictional real places. these are places that have been inserted seamlessly into the real world – places that might exist, as long as nobody actually goes and looks. Continue reading “Top Ten Tuesday – Fictional real places”