The night before their high school reunion, a group of attractive people gather at a remote house. Tensions run high due to unfinished high school drama, wildly differing life paths, and everyone rediscovering old crushes. While this is going on, someone starts murdering them in ironic ways. Continue reading “Most Likely to Die”
Unfriended is about a group of teenagers with a dark secret who are being hunted by a mysterious killer. Slowly, the truth about what really happened all those years ago is revealed, and at the same time characters are murdered one by one. It’s the standard slasher plotline, the same one that appears in Scream, I Know What You Did Last Summer, and countless other films of variable quality.
To be fair though, Unfriended does attempt to break the mould and do something new(ish). This is not a normal slasher film; this is a modern, high-tech slasher for the digital age, for people with four different web-capable devices and a Google+ account. Continue reading “Unfriended (2014) – Review”
Mindhunters has a stupid title. It would be a weak title for a film about predatory psychics, and that’s not even what this film is about. The two words in the portmanteau do have relevance to the plot, but you could make an equally strong argument for almost any pair – Clockwatchers, Stringpullers and Dummystreet are all just as valid. They may actually have picked the title from a hat filled with relevant words.
It’s called Mindhunters because it’s about FBI profilers who try and track serial killers by understanding their minds. The basic idea should be familiar to anyone who has watched television in the last twenty years. Unlike every other show or film based around these profilers, Mindhunters takes an indirect approach to the whole idea of profiling. Continue reading “Mindhunters (2004) – Review”
Hundreds of years ago, mammals overcame their instincts. Predators and prey stopped feeding on and fleeing from each other (respectively), and started working together. Now, Zootropolis is the centre of a new world, in which mammals of all dietary preferences live and work together in harmony.
Judy Hopps is a rabbit with a dream. In a civilisation founded on (in theory) the principle that no one is limited by their biology, she wants to be a cop. The police of Zootropolis tend to be predators, or very large – bison, rhinos, elephants. A bunny doesn’t really fit in.
She has to deal with prejudice, gruelling physical trials, and disillusionment as she works to track down a missing otter. Her only (reluctant) ally is a small-time fox criminal who would much rather be anywhere else. It’s the perfect set-up for a buddy cop film. Just with animals. Continue reading “Zootropolis (2016) – Review”
The Punisher is another adaptation of a Marvel comic, but one that came earlier than the current plague of them, and one that is much, much darker in tone.
Unlike the majority of Marvel’s stable, The Punisher is more vigilante than hero, and more likely to savagely beat someone to death than leave them conveniently webbed near a police station.
Thomas Jane plays Frank Castle, an undercover cop whose job is to take down the big players in the criminal underworld. Shortly after that, he plays Frank Castle, happily retired and enjoying time with his family. Shortly after that, he plays the Punisher, a vigilante striking back against the criminals who killed his entire extended family and left him for dead. There’s a lot of plot development in the first half hour. Continue reading “The Punisher (2004) – Review”
Set after the events of Avengers: Age of Ultron, Captain America: Civil War shows a world in which the civilian population has suffered catastrophe after catastrophe. Alien invasions, plummeting cities, general super-powered destruction and death.
In order to deal with growing public outrage at collateral damage, the UN takes control of the Avengers. Those who sign up can only intervene in situations when instructed. Those who refuse to sign are arrested, or forced to retire.
Captain America (and friends) end up on the other side from Iron Man (and different friends). While they fight over philosophical differences, future Nazis search for cryogenically-frozen super-soldiers.
I didn’t intend to watch Daybreakers. I was looking for a slasher film I hadn’t seen before, and found this film instead. It looked like a schlocky vampire film, and I thought that would scratch the same itch.
That’s not what Daybreakers is. Rather than being a fun, campy b-movie in the vein of Van Helsing or Underworld, Daybreakers is a surprisingly complex and polished film.
The film takes place in a world run by and for vampires. All houses and cars are fitted with shutters against the sunlight; walkways and tunnels connect all the buildings. Unturned humans are an increasingly small, hunted minority. When they are caught, they are farmed for their blood. Continue reading “Daybreakers (2010) – Review”