You know that house, the one at the end of the street? The one with the overgrown garden or the broken windows or the gate that creaks open when you walk past? The one kids tell stories about and dare each other to approach? That’s the one in Don’t Knock Twice.
Long ago – though still within recent living memory – a witch died in there. Or maybe she wasn’t a witch. Anyway, when you knock on the door twice, she comes and kills you. Everyone knows this, and a bunch of them knock on the door anyway. Continue reading “Don’t Knock Twice (2016) – Review”
I think most people are probably familiar with the basic idea of It, in the same way that everyone understands generally how Freddy Krueger or Jason Voorhees operates. Essentially, the town of Derry is home to a fear-eating monster that often disguises itself as a clown.
The story is split over two time periods – one in which a group of outcast children are hunted by the monster, and one years later in which the outcast children, now adults, return to Derry to deal with the monster again. As you might imagine, it’s quite a long book.
The 1990 miniseries was an attempt to take the massive and complex story of It and distill it down to a three-hour running time. It was reasonably successful.
Continue reading “It (1990) – Review”
An entomologist’s plane goes down in a national park, releasing giant centipedes into rural America. The arthropods are aggressive, numerous, and venomous, attacking animals and people alike.
A cast of characters including a small-town sheriff, a (different) entomologist and a seedy trucker find themselves locked in an unexpected and desperate battle for survival. Continue reading “Death Crawlers – Gerry Griffiths (Review)”
The title of this film is also the basic description of the problem – it follows. “It”, in this case, is a supernatural creature that stalks and kills people. It doesn’t run, and it isn’t fanged or clawed. It looks like a person – any given person, whoever it chooses – and it walks. Slowly, inexorably, it walks towards its chosen victim.
Victimhood is transferable through sex; a target who has sex with someone passes the monster on to that person. The film focuses on one primary character, Jay, and her attempts to escape the monster after having had it passed to her.
Continue reading “It Follows (2014) – Review”
The dive bars of Australia are filled with unlikely and unverified rumours. Rumours of an area where ships go mysteriously missing. Rumours of sunken wrecks and scattered bars of shining gold. Rumours – the most ridiculous and unbelievable of all, of a vast dark shape gliding through the water, territorial and shockingly violent.
Tyler Matthews is an alcoholic with an ex-wife and a rapidly shrinking bank account. A scarred stranger, met in yet another bar, offers him a chance at solving the third of those issues. All he has to do is retrieve a possibly-mythical fortune while avoiding an almost-certainly mythical prehistoric shark.
Feed is a story of treasure hunting, redemption, and man-eating marine fauna. It’s also a story about cannibalism, desperation, and exactly how far people will go to survive.
Continue reading “Feed – Michael Bray (Review)”
There’s a village in rural Appalachia where the people’s faith is strong. They speak in tongues, and handle venomous snakes without fear. If their hearts are pure, they will not be harmed.
Cora Mayburn is a reporter sent to interview the village’s charismatic preacher. Her editor hopes for a juicy story of gullible hicks engaged in bizarre rites, and Cora just wants to finish the job and get back to the city as soon as possible. But she soon discovers that the story is about much more than just credulous zealots. Continue reading “Beneath – Kristi DeMeester (Review)”
John Carpenter’s The Thing (1982) is one of the greatest horror films ever made. It’s a masterpiece of suspense and tension, demonstrating – point by point – the key ingredients of horror. In addition, the skilled use of practical special effects gives it a visceral kick that you very rarely find in later films. It’s brilliant, and I recommend that everyone watches it at least once.
Until recently, I didn’t know it was based on anything. I knew that there was at least one story inspired by it – Peter Watt’s The Things – but I didn’t know that the film itself was based on a short story. That story is John W. Campbell’s Who Goes There? Continue reading “Who Goes there ? – John W. Campbell (Review)”