You know that house, the one at the end of the street? The one with the overgrown garden or the broken windows or the gate that creaks open when you walk past? The one kids tell stories about and dare each other to approach? That’s the one in Don’t Knock Twice.
Long ago – though still within recent living memory – a witch died in there. Or maybe she wasn’t a witch. Anyway, when you knock on the door twice, she comes and kills you. Everyone knows this, and a bunch of them knock on the door anyway. Continue reading “Don’t Knock Twice (2016) – Review”
A research facility on Mars sends out a distress signal, and the Rapid Response team is scrambled to deal with the threat – whatever it is. Sensitive data must be recovered, the cause of the problem must be found, and nothing dangerous can be allowed to breach the quarantine and return to Earth.
The team of hardened marines have to deal with mutated monsters, ruthless scientists, and their own interpersonal dynamics in order to survive. It’s not easy, and they have to shoot things a lot.
Continue reading “Doom (2005) – Review”
After criminals kill his family and the justice system fails him, an inventor (Gerard Butler) starts taking the law into his own hands. Though he’s quickly imprisoned, the killings don’t stop. The prosecutor (Jamie Foxx) who let him down when his family was murdered is the only person who might be able to stop the slaughter. Continue reading “Law-Abiding Citizen (2009) – Review”
Everyone knows what a mobster looks like. We know how they talk, how they dress, how they relate to each other. We know about their secret rituals, and about the iron rules they live by.
We know about these because of the media. The Godfather, The Sopranos, Guys and Dolls. Arguably, the media created the Mafia aesthetic as much as it portrayed it. I read once, though I can sadly no longer find a source, that the FBI’s job got much easier after The Godfather was released, because all of the gangsters started dressing like the characters.
Goodfellas is a cinematic classic, and it’s definitely one of the most important films for cementing the cultural idea of how the mob looks and acts. I’ve only just got around to watching it. Continue reading “Goodfellas (1990) – Review”
One of them is a meticulous, by-the-numbers bodyguard with only one failure on his record. The other is a happy-go-lucky, internationally-wanted assassin. Can they learn to work together? Can they deal with corrupt cops, genocidal tyrants, and their own tangled love lives? Continue reading “The Hitman’s Bodyguard (2017) – Review”
John Wick is a grieving widower who also happens to be a deadly, albeit retired, assassin. When gangsters kill his dog, a final present from his dead wife, he un-retires himself to ensure that they understand the grievous nature of their error. Continue reading “John Wick (2014) – Review”
There is a German word, Sehnsucht, which expresses a feeling of nostalgia for a life which one has never experienced – perhaps even for a world which has never existed. It may be Sehnsucht which explains my weakness for spy films with men in turtlenecks. The recent reboot of The Man from U.N.C.L.E. suggests that I am not alone.
The film, unusually light on its feet for something directed by Guy Ritchie, came out in 2015. However, it only just hit my Netflix list, so Millenials can count it as a new release. Continue reading “The Man from U.N.C.L.E. (Review)”